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12th Annual IFMCA Award Nominees Announced Today

February 4, 2016

logoThe International Film Music Critics Association nominations were released this morning for excellence in film scoring in 2015.

Leading with four nominations each are veteran John Williams for Star Wars: The Force Awakens, and Ennio Morricone for The Hateful Eight.  Close behind with three noms each are Michael Giacchio for Inside Out, Jupiter Ascending, and Tomorrowland, and the late James Horner for the Chinese-language drama Wolf Totem.

Contending for Film Score of the Year are Cinderella by Patrick Doyle, The Hateful Eight by Ennio Morricone, Jupiter Ascending by Michael Giacchino, Star Wars: The Force Awakens by John Williams, and Wolf Totem by James Horner.

Michael Giacchino, James Horner, Ennio Morricone, and John Williams are joined by Daniel Pemberton in the Composer of the Year category.  Full film nominations are below, including Best Original Score for an Animated Feature and Film Music Composition of the Year.

For a complete nomination list, including TV and Video Games, be sure to check out the official press on the IFMCA’s website here.

– Erin Corrado

FILM SCORE OF THE YEAR

  • Cinderella, music by Patrick Doyle
  • The Hateful Eight, music by Ennio Morricone
  • Jupiter Ascending, music by Michael Giacchino
  • Star Wars: The Force Awakens, music by John Williams
  • Wolf Totem, music by James Horner

COMPOSER OF THE YEAR

  • Michael Giacchino
  • James Horner
  • Ennio Morricone
  • Daniel Pemberton
  • John Williams

BREAKTHROUGH COMPOSER OF THE YEAR

  • Cat’s Eyes (Faris Badwan and Rachel Zeffira)
  • Gareth Coker
  • Ludwig Göransson
  • Maurizio Malagnini
  • Diego Navarro

FILM MUSIC COMPOSITION OF THE YEAR

  • “L’Ultima Diligenza di Red Rock” from The Hateful Eight, music by Ennio Morricone
  • “Brothers in Arms” from Mad Max: Fury Road, music by Tom Holkenborg
  • “The Jedi Steps and Finale” from Star Wars: The Force Awakens, music by John Williams
  • “Pin-Ultimate Experience” from Tomorrowland, music by Michael Giacchino
  • “Return to the Wild” from Wolf Totem, music by James Horner

BEST ORIGINAL SCORE FOR A DRAMA FILM

  • Carol, music by Carter Burwell
  • Creed, music by Ludwig Göransson
  • Far From the Madding Crowd, music by Craig Armstrong
  • The Hateful Eight, music by Ennio Morricone
  • Wolf Totem, music by James Horner

BEST ORIGINAL SCORE FOR A COMEDY FILM

  • Krampus, music by Douglas Pipes
  • The Lady in the Van, music by George Fenton
  • La Rançon de la Gloire [The Price of Fame], music by Michel Legrand
  • The Second Best Exotic Marigold Hotel, music by Thomas Newman
  • Spy, music by Theodore Shapiro

BEST ORIGINAL SCORE FOR AN ACTION/ADVENTURE/THRILLER FILM

  • Kingsman: The Secret Service, music by Henry Jackman and Matthew Margeson
  • The Man from U.N.C.L.E., music by Daniel Pemberton
  • Mission: Impossible – Rogue Nation, music by Joe Kraemer
  • The Revenant, music by Ryuichi Sakamoto, Alva Noto, and Bryce Dessner
  • Tom Sawyer and Huckleberry Finn, music by Robert Gulya

BEST ORIGINAL SCORE FOR A FANTASY/SCIENCE FICTION/HORROR FILM

  • Cinderella, music by Patrick Doyle
  • Crimson Peak, music by Fernando Velázquez
  • Jupiter Ascending, music by Michael Giacchino
  • Mad Max: Fury Road, music by Tom Holkenborg
  • Star Wars: The Force Awakens, music by John Williams

BEST ORIGINAL SCORE FOR AN ANIMATED FEATURE

  • Atrapa la Bandera [Capture the Flag], music by Diego Navarro
  • Gamba, music by Benjamin Wallfisch
  • The Good Dinosaur, music by Mychael Danna and Jeff Danna
  • Inside Out, music by Michael Giacchino
  • Kahlil Gibran’s The Prophet, music by Gabriel Yared

BEST ORIGINAL SCORE FOR A DOCUMENTARY

  • The Great Human Odyssey, music by Darren Fung
  • He Named Me Malala, music by Thomas Newman
  • Human, music by Armand Amar
  • The Hunt, music by Steven Price
  • I Am Big Bird: The Carroll Spinney Story, music by Joshua Johnson
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